Set in 1916, “Far Bright Star” follows Napoleon Childs, an aging cavalryman, as he leads an expedition of inexperienced soldiers into the mountains of Mexico to hunt down Pancho Villa and bring him to justice. Though he is seasoned at such missions, things go terribly wrong and the patrol is brutally attacked. After witnessing the demise of his troops, Napoleon is left by his captors to die in the desert.
Through him we enter the conflicted mind of a warrior as he tries to survive against all odds, as he seeks to make sense of a lifetime of senseless wars and to reckon with the reasons a man would choose a life on the battlefield. Olmstead, an award-winning writer, uses his precise, descriptive prose to explore the endurance and fate of the last horse soldiers. The result is a tightly wound novel that is as moving as it is terrifying.
Fiction. “This is the saddest story,” the narrator notes of his friend Edward Ashburnham’s life. A superb soldier and the perfect English gentleman, Ashburnham has one fatal flaw with regard to affairs of love. Ford weaves a brilliant tale in which nothing is quite what it seems, including the narrator’s telling of the …
view 29 more similar booksRobert Olmstead is one of the most sublime novelists we have. His work is under-recognized, I suspect, because his subject matter — Western and violent and horsey and manly — shares some ground with the better-known and highly talented Cormac McCarthy, and possibly there isn’t enough room in the culture for both of them to be famous at the same time. But to my mind Olmstead is the even greater artist and the more compassionate of the two writers; his style is more restrained, his language more perfect.
“Far Bright Star” tells the story of some brothers on horseback and some people who die — its set in 1916 during the search for Pancho Villa, and the plot has to do with revenge and is full of death and solitude. I’m purposefully vague here because in the end I didn’t much care about the details of the story, though in fact the narrative was well-crafted in its rhythms and suspenses. Rather I was repeatedly startled and taken in by the raptures and ecstasy of the prose, its philosophical qualities, its space and imagination and sculptural beauty and terrible sadness.

